sixpenceee:

THE GHOST CLOCK
Located in the Smithsonian American Art Museum. The description on the plaque says:
"At first glance, Ghost Clock appears to be a grandfather clock hidden by a large white sheet tied with a rope. A close look, however, reveals a masterful deception: this entire sculpture was hand-carved from a single block of laminated mahogany. With meticulous detail, Castle re-created in wood the contours of soft, supple cloth, then completed the illusion by bleaching the “drapery” white and staining the base of the “clock” a walnut brown. This work is the last in a series of thirteen clocks the artist created in the 1980s; unlike the others, it lacks an inner mechanism. Its haunting stillness and silence suggest eternity—the absence of time.”
Zoom Info
sixpenceee:

THE GHOST CLOCK
Located in the Smithsonian American Art Museum. The description on the plaque says:
"At first glance, Ghost Clock appears to be a grandfather clock hidden by a large white sheet tied with a rope. A close look, however, reveals a masterful deception: this entire sculpture was hand-carved from a single block of laminated mahogany. With meticulous detail, Castle re-created in wood the contours of soft, supple cloth, then completed the illusion by bleaching the “drapery” white and staining the base of the “clock” a walnut brown. This work is the last in a series of thirteen clocks the artist created in the 1980s; unlike the others, it lacks an inner mechanism. Its haunting stillness and silence suggest eternity—the absence of time.”
Zoom Info

sixpenceee:

THE GHOST CLOCK

Located in the Smithsonian American Art Museum. The description on the plaque says:

"At first glance, Ghost Clock appears to be a grandfather clock hidden by a large white sheet tied with a rope. A close look, however, reveals a masterful deception: this entire sculpture was hand-carved from a single block of laminated mahogany. With meticulous detail, Castle re-created in wood the contours of soft, supple cloth, then completed the illusion by bleaching the “drapery” white and staining the base of the “clock” a walnut brown. This work is the last in a series of thirteen clocks the artist created in the 1980s; unlike the others, it lacks an inner mechanism. Its haunting stillness and silence suggest eternity—the absence of time.”